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Free for Commercial Use

Sans Superellipse Nyli 7 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Rhode' by Font Bureau, 'Knockout' by Hoefler & Co., 'PG Grotesque' by Paulo Goode, 'Otoiwo Grotesk' by Pepper Type, 'Lektorat' by TypeTogether, and 'Herokid' by W Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, chunky, playful, friendly, retro, punchy, impact, approachability, display clarity, retro flavor, brand presence, rounded corners, soft terminals, blocky, compact counters, bulbous.


Free for commercial use
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A heavy, rounded sans built from squarish curves and softened corners, giving letters a compact, pillow-like silhouette. Strokes are uniform and dense, with small interior counters that emphasize mass and ink coverage. Curves stay controlled and boxy rather than purely circular, while joins and terminals remain consistently blunted for an overall smooth, sturdy rhythm. Numerals follow the same chunky geometry, with simplified shapes and tight apertures that keep the set visually cohesive.

Best suited for high-impact display settings such as posters, big headlines, logo wordmarks, packaging, and attention-grabbing signage. It also works well for short bursts of copy—labels, stickers, and social graphics—where a dense, friendly block of text is an advantage.

The tone is bold and approachable, mixing a retro display feel with a friendly, cartoon-adjacent warmth. Its rounded rectangles and dense color create an assertive voice that reads as confident and fun rather than sharp or technical.

The design appears intended to deliver maximum visual weight with softened edges, combining robust legibility at display sizes with a distinctive rounded-rectangle character. Its consistent, compact construction suggests a goal of creating a memorable, approachable voice for bold messaging.

At larger sizes the font’s tight counters and small openings become a defining feature, producing a strong, poster-like texture. The uppercase has a stout, sign-ready presence, while the lowercase maintains the same blocky softness, keeping the overall voice consistent across cases.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸