Sans Superellipse Upvo 11 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'Breaking Kingdome' by Adita Fonts, 'Brigends Expanded' and 'Super Rich Expanded' by Multype Studio, and 'Endura' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, techy, chunky, confident, playful, impact, modernity, brandability, legibility, rounded, blocky, compact, square-ish, ink-trap-like.
This typeface uses heavy, rounded-rectangle construction with broad, squared-off counters and softly radiused corners throughout. Strokes are monoline and highly geometric, with a flattened, horizontal emphasis and slightly squarish bowls (notably in O, C, G, and e). Curves tend to resolve into straight segments, creating a superelliptical rhythm; terminals are blunt and clean, and many joins show small notches or cut-ins that read like subtle ink-trap behavior. The lowercase is sturdy and compact, with single-storey forms (a, g) and open, simplified shapes that keep interior spaces readable despite the weight.
Best suited to display settings where impact and personality are needed: headlines, poster typography, brand marks, packaging, and sporty/tech-forward identity work. It also performs well for short UI labels or signage when a bold, friendly-industrial look is desired, but it is likely most effective in larger sizes due to its dense stroke and compact counters.
The overall tone is assertive and energetic, with a distinct display presence that feels sporty and modern. Its rounded, blocky geometry gives it a friendly edge, while the tight, engineered curves suggest a tech or industrial sensibility. The result is attention-grabbing and confident rather than formal or delicate.
The design appears intended to deliver a strong, modern display voice built from superelliptical, rounded-rectangle forms. It prioritizes visual punch and geometric consistency, aiming for an athletic, contemporary feel that stays approachable through softened corners and simplified letter shapes.
Numbers follow the same squared, rounded construction and remain highly legible at large sizes. The glyph set shown favors simplified, logo-like forms and consistent corner radii, producing a cohesive, emblematic texture in headlines.