Sans Faceted Vony 3 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to '946 Latin' by Roman Type (names referenced only for comparison).
Keywords: headlines, logos, posters, sports branding, game ui, industrial, techno, athletic, aggressive, retro, impact, futurism, ruggedness, speed, branding, chamfered, angular, blocky, stencil-like, octagonal.
A heavy, geometric display sans built from straight strokes and sharp chamfered corners, replacing curves with faceted, planar cuts. The outlines read as compact blocks with squared counters and occasional notch-like joins, giving letters a machined, octagonal feel. Terminals are clipped rather than rounded, and the overall rhythm is broad and punchy with consistent stroke thickness and minimal modulation. Numerals and caps carry the strongest personality, with squared bowls and cut-in apertures that keep interiors open at large sizes.
Best suited to large-scale display work such as headlines, posters, packaging callouts, and logo marks where the faceted silhouettes can read crisply. It also fits UI titling for games or tech-themed interfaces and short, bold statements on apparel or event graphics. For longer passages, generous spacing and larger sizes help preserve the counters and internal cut-ins.
The faceted construction and clipped corners create a mechanical, high-impact tone that feels engineered and assertive. It evokes sports branding, arcade or sci‑fi interfaces, and industrial signage where a rugged, no-nonsense voice is desired. The sharp geometry adds urgency and motion even in static text.
The letterforms appear designed to deliver maximum impact through hard-edged geometry and repeatable angled cuts, prioritizing silhouette and a constructed, industrial aesthetic over softness or neutrality. The faceting suggests an intention to look machined and contemporary while nodding to retro arcade and athletic visual languages.
The design relies on repeated corner angles and notch motifs for cohesion, producing a strong silhouette and clear modularity across the set. In dense settings the tight interior shapes can visually fill in, so the style reads best when given room to breathe.