Sans Other Korub 2 is a regular weight, narrow, medium contrast, italic, normal x-height font visually similar to 'Designator' by TEKNIKE (names referenced only for comparison).
Keywords: headlines, posters, sports branding, gaming ui, tech branding, techno, futuristic, sporty, urgent, angular, speed emphasis, tech styling, impact display, brand distinctiveness, slanted, condensed, geometric, chiseled, dynamic.
A sharply slanted, condensed sans with angular, chamfered terminals and a slightly chiseled construction. Strokes are mostly straight with crisp corners and occasional cut-ins that create a faceted, engineered feel; bowls and counters tend toward squarish or trapezoidal shapes rather than true curves. The rhythm is tight and forward-leaning, with compact spacing and occasional width shifts between glyphs that add a mechanical, modular cadence. Numerals and capitals echo the same beveled geometry, emphasizing sharp diagonals and clean, blocky forms.
Best suited for headlines, logos, and short promotional copy where its angular detail and forward slant can be read clearly. It can work well in sports and esports branding, game titles, sci‑fi or tech-themed packaging, and interface elements such as badges, labels, or navigation headings. For extended reading, larger sizes and generous line spacing will help preserve clarity.
The overall tone feels fast, technical, and assertive—suggesting speed, machinery, and digital interfaces. Its angled stance and hard edges give it a competitive, sporty energy, while the faceted shapes read as futuristic and utilitarian rather than friendly or casual.
The design appears intended to deliver a speed-driven, futuristic sans voice through condensed proportions, an oblique stance, and hard, beveled geometry. Its emphasis on sharp diagonals and squared counters suggests a deliberate, engineered aesthetic aimed at impactful display settings.
Several characters feature distinctive diagonal cuts and internal notches that enhance differentiation at display sizes, though the dense construction and sharp joins can make long passages feel busy at smaller sizes. The design maintains a consistent forward momentum across uppercase, lowercase, and figures, keeping the voice cohesive in headlines and short lines.