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Outline Umti 5 is a very light, normal width, low contrast, upright, tall x-height font.

Keywords: posters, headlines, logotypes, packaging, signage, art deco, retro, architectural, elegant, futuristic, decorative titling, retro branding, geometric clarity, inline ornament, monoline, geometric, rounded, inline, display.


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A monoline outline face built from tall, narrow-to-moderate proportions and a strictly geometric skeleton. Strokes are drawn as clean outer contours with a consistent thin line, and many glyphs include a centered inline channel that echoes the exterior shape, creating a double-stroked, sign-painting feel. Curves are broadly rounded with squared-off terminals and frequent right-angled joins, producing a disciplined, grid-like rhythm. Counters are generous and open, and the overall spacing feels airy, with the outline construction keeping color light even at large sizes.

Best suited to display applications such as posters, event titles, brand marks, packaging fronts, and signage where the outline-and-inline construction can be appreciated. It can also work for short pull quotes or section headers in editorial layouts, but the delicate linework and decorative interior channels make it less ideal for long text or small UI sizes.

The font reads as refined and stylized, evoking vintage marquee lettering and early modernist titling. Its crisp geometry and inline detailing add a decorative, slightly theatrical tone while still feeling controlled and engineered. The result is simultaneously nostalgic and sleek, suitable for designs aiming for a polished retro-futurist mood.

The design appears intended to deliver a distinctive decorative voice through geometric construction and an inline accent, offering an Art Deco–influenced outline aesthetic that stays light and airy. The consistent contour weight and disciplined proportions suggest a focus on clean reproduction and strong visual identity in titling contexts.

The inline detailing becomes a dominant feature in curved and enclosed forms, giving a layered, architectural look. Because the design relies on thin contours and interior lines, it visually prefers larger setting sizes and benefits from high-contrast reproduction and uncluttered backgrounds.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸