Outline Tyna 1 is a light, normal width, low contrast, italic, normal x-height font.
Keywords: posters, headlines, logos, packaging, sports branding, retro, sporty, kinetic, technical, showcard, motion, depth effect, display impact, retro styling, branding, monoline, inline, outlined, oblique, condensed caps.
A slanted, monoline outline design with a distinct inline channel that creates a double-stroke, hollow effect throughout the letterforms. Strokes keep a steady thickness and turn with rounded corners, while terminals are clean and mostly squared-off, giving the shapes a precise, engineered feel. Uppercase forms read tall and compact with tightened counters, and the lowercase follows with similarly narrow, upright bowls and simplified joins; numerals echo the same streamlined geometry. Overall spacing is moderate, but the internal cut-outs and tight apertures make the texture look busy and rhythmic, especially in longer words.
Best suited to display settings such as posters, headlines, event graphics, and logo marks where the inline-outline detail can be read crisply. It can also work well for packaging or label-style layouts that benefit from a vintage athletic or industrial tone, particularly when set with generous size and spacing.
The font conveys a retro, sporty energy—evoking vintage athletic lettering, racing graphics, and mid-century display styling. Its forward slant and layered outline/inset detailing create a sense of motion and mechanical polish, balancing playful showmanship with a technical, drafted look.
The design appears intended to provide a bold display voice through layered contour work rather than heavy weight—using outline and inline structure to add presence, depth, and motion. Its consistent stroke logic and compact proportions suggest a focus on stylized readability and graphic impact in short text.
The double-line construction produces strong striping in vertical stems (notably in m, n, w, and capitals with multiple uprights), which becomes a prominent pattern at larger sizes. Small apertures and narrow counters suggest the design is meant to be appreciated where its internal channels remain clearly visible.