Sans Other Jubov 9 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, posters, game ui, tech branding, techno, futuristic, industrial, arcade, sci‑fi, geometric system, tech aesthetic, display impact, mechanical texture, octagonal, angular, chamfered, geometric, stencil‑like.
A sharply angular, geometric sans with monoline strokes and consistent chamfered corners that turn curves into octagonal forms. Counters are compact and often squared-off, with open constructions in letters like C, S, and G that emphasize hard terminals and clipped apertures. The rhythm is crisp and mechanical, with straight-sided verticals and diagonals doing most of the work; round letters (O, Q, 0) read as faceted rings rather than true curves. Lowercase maintains the same engineered feel, mixing narrow, pillar-like stems (i, l) with distinctive, angular bowls and notches, while numerals follow the same cut-corner logic for a cohesive set.
Best suited to headlines, posters, packaging accents, and branding where a techno or sci‑fi voice is desired. It can work well for game UI labels, interface mockups, and event graphics, especially when set at medium-to-large sizes to preserve the distinctive cut corners and apertures.
The overall tone is futuristic and utilitarian, evoking digital interfaces, machine labeling, and arcade-era display lettering. Its faceted geometry and abrupt terminals feel technical and constructed rather than handwritten or organic, giving text a disciplined, slightly tactical presence.
The design appears intended to translate a geometric, cut-metal or digital-display sensibility into a clean sans structure. By standardizing chamfers and faceting across rounds and straights, it aims to deliver a cohesive, high-tech texture that remains legible while feeling distinctly engineered.
Several glyphs use deliberate openings and internal cut-ins that can read as stencil-like at smaller sizes, enhancing the engineered aesthetic but increasing visual busyness in dense text. The typeface leans display-forward: it stays coherent in short strings and headlines where the angular detailing can be appreciated.