Sans Other Ohbe 4 is a very bold, normal width, low contrast, upright, normal x-height font.
Keywords: logotypes, headlines, posters, game ui, sci-fi ui/ux, techno, industrial, arcade, futuristic, aggressive, impact, tech aesthetic, display branding, interface styling, angular, blocky, geometric, stencil-like, compact.
A heavy, block-built sans with strongly rectilinear construction, sharp corners, and occasional chamfered or slanted cuts that break up the otherwise square geometry. Strokes are consistently thick with minimal modulation, and many counters are squared-off, producing a pixel-adjacent, machined feel rather than a smooth grotesk. Curves are reduced or faceted (notably in round forms), and several glyphs use distinctive notches or open corners that read almost stencil-like at display sizes. The overall rhythm is tight and compact, with a slightly engineered, modular spacing and a mix of straight and angled joins that adds visual bite.
Best suited for display roles such as logos, titles, packaging marks, and poster headlines where a strong techno-industrial personality is desired. It can also work for game interfaces, sci-fi themed UI graphics, and short callouts or labels where the chunky, angular texture helps the type act as a graphic element.
The font conveys a utilitarian, futuristic tone reminiscent of industrial labeling, arcade-era game UI, and sci-fi interfaces. Its hard angles and cut-in details create an assertive, technical voice that feels bold, mechanical, and a bit edgy rather than friendly or neutral.
The design appears intended to translate a modular, machine-cut aesthetic into a sturdy sans wordmark style, prioritizing impact and a distinctive, tech-forward silhouette over conventional text neutrality. The angled cuts and squared counters suggest an aim for a futuristic, signage-like voice that remains consistent across letters and numerals.
Legibility is strongest at medium-to-large sizes where the cut corners and squared counters remain clear; at very small sizes, the interior apertures and tight details may visually close. The uppercase set feels especially architectural and emblematic, while numerals and lowercase maintain the same modular, angular logic for consistent texture in blocks of text.