Sans Superellipse Olbuj 11 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Cream Opera' by Factory738, 'Autogate' by Letterhend, 'Posterman' by Mans Greback, 'Hardley Brush' by Negara Studio, and 'Merchanto' by Type Juice (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, assertive, industrial, retro, compact, no-nonsense, space saving, high impact, brand voice, rounded corners, boxy, condensed, monoline, vertical stress.
This typeface uses thick, monoline strokes with compact proportions and a strongly vertical rhythm. Curves are built from rounded-rectangle shapes, giving letters a squared-off feel with softened corners rather than fully circular bowls. Counters are relatively tight and apertures are small, while joins and terminals stay blunt and uniform, producing an even, blocky texture across words. The overall silhouette is tall and efficient, with uppercase forms that read like condensed signage capitals and lowercase forms that keep simple, sturdy constructions.
Best suited for headlines, posters, and branding where compact width and strong presence are valuable. It also fits packaging, labels, and wayfinding-style signage that benefits from a sturdy, industrial voice and consistent alphanumeric color.
The tone is bold and utilitarian, with a slightly retro, engineered character that suggests labels, equipment markings, and poster headlines. Its rounded-square geometry adds friendliness without losing weight or authority, making it feel confident and workmanlike rather than delicate or playful.
The design appears intended to deliver maximum impact in minimal horizontal space, using a rounded-rectilinear skeleton to balance toughness with approachability. Its consistent stroke and blunt finishing prioritize clarity of silhouette and a strong, uniform typographic texture.
Because of the dense stroke weight and compact counters, the font creates strong impact at display sizes, but can feel dark and tight in longer passages. The numerals match the same squared, heavy construction, keeping a consistent, uniform color in mixed alphanumeric settings.