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Free for Commercial Use

Slab Contrasted Abli 4 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'Franqueline Slab' by Sudtipos (names referenced only for comparison).

Keywords: headlines, posters, packaging, book covers, branding, confident, editorial, heritage, collegiate, robust, impact, readability, classic tone, editorial voice, brand authority, chunky serifs, bracketed, rounded joins, soft terminals, compact counters.


Free for commercial use
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A sturdy slab-serif with pronounced, blocky serifs and gently bracketed transitions into the stems. Strokes feel weighty and even, with subtle modulation that shows most clearly in curved letters and joins. The lowercase is compact and solid, with rounded shoulders and relatively small counters that reinforce a dense color on the page. Curves (C, G, S, 2, 3) are smooth and slightly softened, while horizontals and verticals maintain a squared, stable structure; overall spacing reads generous enough for display but still coherent in paragraph settings.

Best suited to headlines, posters, and cover typography where strong letterforms and slab serifs can anchor a layout. It also works well for branding and packaging that want a classic, dependable feel with high impact. In longer passages it creates a dense, newspaper-like texture, making it most comfortable at larger text sizes or for short editorial blocks.

The tone is assertive and traditional, evoking print-era reliability with a friendly softness at the edges. It carries a collegiate and editorial flavor—serious, but not austere—making it feel trustworthy and established. The bold slabs add authority, while the rounded shaping keeps the voice approachable.

The design appears intended to deliver a classic slab-serif voice with strong, readable shapes and a softened, contemporary polish. It prioritizes punch and stability in display settings while keeping enough regularity and rhythm to remain usable for short text runs.

The figures are heavy and attention-grabbing with clear silhouettes, and the punctuation in the sample text reads sturdy and deliberate. The uppercase has a formal presence, while the lowercase’s rounded forms and short extenders create an even texture across lines, especially at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸