Sans Other Syvi 1 is a very light, very wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, logotypes, branding, tech ui, futuristic, technical, geometric, minimalist, digital, futurism, tech aesthetic, modular system, experimental display, schematic look, angular, wireframe, modular, rectilinear, squared.
A monoline, outline-like sans built from straight segments and crisp corners, with occasional chamfered or diagonal joins. Counters and bowls are predominantly squared-off, and curves are largely avoided in favor of rectilinear construction (notably in C/G/O and the numerals). Strokes are consistently thin with a schematic, single-line feel; terminals tend to end abruptly, often forming open corners or short overhangs that create a constructed, modular rhythm. Proportions run wide with generous horizontal reach, while spacing and glyph widths vary noticeably, reinforcing a custom, engineered texture across words.
Best suited to display sizes where the thin strokes and open construction can be appreciated—headlines, posters, titles, and logo wordmarks. It can also work for tech-oriented branding or interface accents when used sparingly with ample spacing, but the unconventional, segmented shapes may reduce comfort for long-form reading at small sizes.
The overall tone is futuristic and technical, evoking interface graphics, circuitry, and architectural line drawings. Its airy, skeletal outlines read as precise and experimental rather than warm or traditional, giving text a distinctly digital, sci‑fi flavor.
The font appears designed to explore a constructed, modular sans aesthetic—prioritizing geometric clarity, a wireframe look, and a futuristic voice. Its segmented strokes and squared counters suggest an intention to mimic technical drafting or digital display lettering while maintaining a consistent monoline system across the alphabet and numerals.
The design emphasizes open forms and internal negative space, so letter recognition relies on distinctive angles, notches, and segmented strokes. The squared punctuation and boxy numerals contribute to a grid-like, systematized feel that stays consistent across cases.