Sans Other Syvi 2 is a very light, very wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, ui display, tech branding, game titles, futuristic, technical, minimal, modular, sci-fi, futuristic display, technical labeling, modular construction, minimal presence, system aesthetic, geometric, angular, wireframe, constructed, squared.
This typeface is built from extremely thin, monoline strokes that describe letters as open, rectilinear frameworks rather than filled forms. Geometry is predominantly squared with frequent 45° chamfers on corners and occasional diagonal joins, giving many glyphs a cut-corner, engineered feel. Counters are often implied by gaps and incomplete outlines, and several characters rely on simplified, schematic constructions that emphasize horizontal and vertical runs over curves. Spacing and rhythm feel airy, with generous internal whitespace and a crisp, drafting-like line quality across both uppercase and lowercase.
Best suited to display applications such as headlines, posters, product/tech branding, and futuristic UI or HUD-style labeling. It can also work for short informational callouts, packaging accents, or editorial pull quotes where a schematic, engineered tone is desired. For longer text, larger sizes and ample line spacing help maintain clarity.
The overall tone is futuristic and technical, evoking interface typography, schematic labeling, and sci‑fi display systems. Its spare construction and sharp corners read as analytical and controlled, with a slightly experimental, coded aesthetic. The open, outline-driven forms lend a lightweight, high-tech elegance rather than warmth or tradition.
The design appears intended to reinterpret a sans structure through a modular, wireframe approach—prioritizing geometry, economy of stroke, and a constructed grid logic. By using open outlines, chamfered corners, and simplified joins, it aims to communicate a contemporary, tech-forward personality while remaining systematic and repeatable across the character set.
Legibility is strongest at larger sizes where the open counters and thin strokes have room to resolve; at small sizes the hairline structure and intentional gaps can cause characters to blur together. Numerals and punctuation follow the same constructed logic, reinforcing a consistent, system-like voice suited to headings and short runs.