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Sans Normal Ahlel 2 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Florest Display' and 'Florest Textured' by Kaligra.co, 'Aaux Next Cond' by Positype, 'Signal' by URW Type Foundry, and 'Aksioma' by Zafara Studios (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, playful, friendly, chunky, retro, informal, high impact, friendly display, retro flavor, brand voice, signage clarity, rounded, soft corners, compact, punchy, high contrast shapes.


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A heavy, compact sans with simplified geometry and soft, rounded corners. Strokes stay largely even, but many joins and terminals are cut with subtle angles, giving a slightly chiseled, hand-cut feel rather than purely mechanical circles. Counters are tight and apertures tend to be somewhat closed, increasing density and impact in text. The overall rhythm is lively, with slightly irregular internal spacing and distinctive angled details in diagonals and curves that keep the forms from feeling sterile.

Best suited to headlines and short bursts of text where its dense, rounded shapes can deliver strong impact—posters, packaging, signage, and brand marks with a friendly voice. It can work for pull quotes or UI accents at larger sizes, but the tight counters and closed apertures suggest avoiding small text and long reading settings.

The letterforms read as upbeat and approachable, with a toy-like solidity and a mild vintage sign-painting flavor. Its chunky silhouettes and softened edges project friendliness and humor more than formality, making the tone feel energetic and casual.

Likely designed to provide a bold, approachable display sans that blends rounded construction with slightly angular cuts for personality. The goal appears to be high visual punch with a warm, playful character that remains clean and legible in large-format use.

Round characters like O/Q and numerals emphasize strong black shapes with small counters, while diagonals (K, V, W, X, Y, z) show the most angular cutting in terminals and joins. The lowercase includes single-storey a and g, reinforcing an informal, display-leaning texture. In longer sample text, the density and tight counters create a bold, poster-like presence that favors larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸