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Free for Commercial Use

Sans Normal Nuriv 5 is a very bold, wide, monoline, upright, normal x-height font visually similar to 'ND Lupo' by NeueDeutsche (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, playful, chunky, friendly, retro, punchy, impact, approachability, simplicity, geometric clarity, display strength, rounded, geometric, blocky, soft corners, compact counters.


Free for commercial use
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A heavy, geometric sans with broad proportions and largely uniform stroke thickness. Forms are built from circular bowls and straight-sided stems, with subtly softened corners that keep the silhouette friendly rather than rigid. Counters are relatively tight, giving letters a compact, ink-trap-free appearance and strong color at display sizes. The lowercase shows single-storey shapes (notably a and g) and sturdy, short extenders, while diagonals (V, W, X, Y) are wide and emphatic. Numerals are similarly weighty and rounded, matching the overall solid, poster-like texture.

Best suited for display typography where weight and width can do the work: headlines, posters, storefront or event signage, punchy branding, and packaging. It can also serve short UI labels or callouts when a friendly, high-contrast presence is needed, but it is most effective at larger sizes where its tight counters remain clear.

The tone is bold and approachable, leaning playful and slightly retro through its chunky geometry and rounded construction. It reads as energetic and informal, with a toy-like sturdiness that feels suited to attention-grabbing headlines rather than quiet, text-centric settings.

The font appears designed to deliver maximum impact with a friendly, geometric personality—prioritizing bold silhouettes, simple construction, and consistent stroke weight for confident display use.

The design maintains a consistent, high-impact rhythm across uppercase, lowercase, and figures, producing dense typographic color and strong word shapes. Round letters (O, Q, o) appear especially circular, while terminals tend to end in clean, flat cuts that reinforce the geometric voice.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸