Sans Other Abdaz 10 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Muller' and 'Muller Next' by Fontfabric, 'Whitney' by Hoefler & Co., 'EquipCondensed' by Hoftype, and 'Breno Narrow' by Monotype (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids, branding, playful, chunky, quirky, friendly, retro, personality, impact, informality, handmade, display, rounded, bouncy, soft corners, irregular, cartoonish.
A heavy, monolinear sans with compact counters and softly rounded corners. The outlines feel intentionally irregular, with subtle tilts and wobble in verticals and bowls that create an uneven, hand-cut rhythm rather than strict geometric precision. Proportions vary noticeably across glyphs, giving the alphabet a lively, slightly top-heavy presence and a dense, poster-like color on the page. Terminals are blunt and simplified, and curves are broad and padded, producing sturdy silhouettes with minimal internal detail.
Best suited to headlines and short display settings where personality and impact matter more than neutrality—such as posters, playful branding, event graphics, packaging, and children-oriented or entertainment-focused materials. It can also work for short callouts or labels, especially at larger sizes where the quirky contouring reads clearly.
The overall tone is upbeat and humorous, with a casual, craft-like energy that reads as approachable rather than corporate. Its slightly off-kilter construction suggests fun, spontaneity, and a vintage cartoon sensibility, making text feel animated and informal.
Likely designed to deliver a bold, friendly display voice with a deliberately imperfect, hand-crafted finish. The goal appears to be high visibility with a distinctive, playful character that stands apart from conventional clean sans styles.
The numerals and capitals share the same chunky, simplified construction, and the set maintains consistent stroke weight while allowing per-glyph idiosyncrasies. The texture becomes especially expressive in longer lines, where the irregular geometry creates a dynamic, bouncing baseline feel even though the letters remain upright.