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Free for Commercial Use

Sans Normal Obbop 11 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Shelf' by 21Type; 'FF Milo', 'FF Tisa Sans', and 'FF Tisa Sans Paneuropean' by FontFont; 'Mundo Sans' by Monotype; 'Mato Sans' by Picador; 'Monsal Gothic' by The Northern Block; and 'Acorde' by Willerstorfer (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, kids media, playful, friendly, punchy, quirky, attention, approachability, fun, bold branding, chunky, rounded, soft corners, bouncy, compact.


Free for commercial use
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A heavy, rounded sans with chunky strokes and softly blunted corners throughout. Curves dominate the construction, with circular counters and smoothly swelling bowls, while terminals often finish with angled, slightly irregular cuts that add motion. Proportions feel compact with a sturdy stance, and spacing is moderately tight, producing a dense, poster-like color in text. Overall rhythm is lively and slightly uneven in a controlled way, favoring bold silhouettes and clear interior shapes over precision-geometric symmetry.

Best suited to short, high-impact settings such as headlines, posters, packaging, and bold brand marks where its chunky rounded shapes can read large and crisp. It also fits playful contexts like children’s media, casual signage, or social graphics. For long passages, the dense texture and strong personality may be more effective as emphasis than as continuous body text.

The tone is upbeat and approachable, with a cartoonish, hand-cut energy that reads as fun rather than formal. Its confident weight and bouncy details give it a youthful, attention-grabbing voice suited to expressive headlines and friendly branding.

The design appears intended to deliver maximum visual impact with a friendly, humorous personality. Rounded construction and hefty forms prioritize immediate legibility at display sizes, while the angled terminals introduce a distinctive, energetic twist that keeps the texture lively.

The uppercase has strong, blocky presence, while the lowercase maintains generous counters and rounded joins that help keep small shapes from clogging at display sizes. Diacritics or extended punctuation are not shown, but the basic alphabet and numerals share consistent softness and energetic angled terminals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸