Sans Superellipse Otdaz 7 is a bold, narrow, monoline, upright, tall x-height font visually similar to 'Deluge' by Artiveko, 'Gala' by Canada Type, 'Godiva' by Suby Studio, and 'Delgos' by Typebae (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, branding, industrial, retro, technical, condensed, punchy, space saving, strong impact, signage clarity, modular aesthetic, rounded corners, soft terminals, rectilinear, compact, sturdy.
This typeface is built from tall, condensed proportions with a consistent, heavy stroke and rounded-rectangle (superellipse) geometry throughout. Curves are squared-off and softened at the corners, giving counters and bowls a compact, vertical feel. Terminals are generally blunt and rounded rather than tapered, and the lowercase maintains a notably high x-height relative to ascenders and descenders, keeping word shapes dense and uniform. Figures and caps follow the same modular, rounded-rectilinear construction, producing a cohesive, sign-like rhythm.
Best suited to headlines and short-to-medium display text where its condensed width and strong weight can maximize impact in limited space. It should work well for signage, packaging, labels, and brand marks that benefit from a sturdy, rounded-rectilinear look, and for UI or wayfinding elements where a compact, high-contrast silhouette is desirable.
The overall tone feels industrial and utilitarian, with a retro display flavor that recalls mid-century signage and technical labeling. Its compact, softened geometry reads as assertive but approachable—more machine-made than handwritten, and more playful than purely corporate grotesks.
The design appears intended to deliver a space-efficient, high-impact sans with a distinctive rounded-rectangular voice. By combining condensed proportions with softened corners and uniform stroke weight, it aims for a modular, easily repeatable look that stays consistent across caps, lowercase, and figures.
The design leans on repeated vertical strokes and narrow apertures, which creates strong texture in paragraphs and a pronounced vertical cadence. Round letters like O/C/G appear more like rounded rectangles than circles, and the punctuation and numerals match the same blocky, softened construction for consistent color.