Sans Faceted Umji 2 is a very bold, very wide, low contrast, upright, tall x-height font.
Keywords: headlines, logos, posters, game ui, sports branding, futuristic, industrial, techno, gaming, mechanical, sci-fi styling, hard-surface look, display impact, modular rhythm, angular, faceted, octagonal, chamfered, geometric.
A heavy, geometric sans built from straight strokes and clipped corners, replacing curves with chamfered, multi-sided facets. Forms are broad and sturdy with a large x-height, open counters, and a mostly uniform stroke weight that reads as monoline at text sizes. Many glyphs use horizontal segmentation (notably in E, F, S, and numerals), creating a modular, engineered rhythm; joins tend to be squared or sharply beveled, and terminals feel cut or milled rather than rounded. Widths vary by character, but overall proportions stay expansive, giving lines a strong, blocky silhouette.
Best suited for short, prominent settings such as headlines, logos, packaging, posters, and title cards where the faceted construction can be appreciated. It also fits game and tech UI accents, esports/sports identities, and sci-fi themed graphics where a bold, engineered look is desired.
The font conveys a sci-fi, arcade, and machinery-forward tone—precise, assertive, and synthetic. Its faceted geometry suggests engineered surfaces and digital interfaces, producing a confident, high-impact voice that feels at home in futuristic and performance-oriented branding.
The design appears intended to translate a hard-surface, industrial aesthetic into a readable sans by using consistent chamfers and planar cuts instead of curves. Its segmented details and wide stance prioritize impact and a futuristic voice while maintaining clear counters for display legibility.
In running text the repeated chamfers and segmented horizontals create a distinctive texture that is most effective at display sizes, where the internal cuts and counters remain clearly legible. The numerals echo the same octagonal, cut-corner language, supporting cohesive headline and interface-style compositions.