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Free for Commercial Use

Serif Contrasted Rygy 5 is a bold, wide, very high contrast, italic, normal x-height font visually similar to 'Mafra', 'Mafra Deck', 'Mafra Display', and 'Mafra Headline' by Monotype (names referenced only for comparison).

Keywords: headlines, magazine, branding, posters, packaging, editorial, fashion, dramatic, refined, classic, luxury tone, headline impact, editorial voice, modern classic, didone-like, hairline serifs, vertical stress, sharp terminals, ball terminals.


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A high-contrast italic serif with strong vertical stress, thick main stems, and extremely fine hairlines that taper into sharp, delicate serifs. The letterforms are noticeably slanted and slightly expanded, with crisp wedge-like entry strokes and pointed terminals that create a lively, cutting rhythm. Curves are polished and sculptural, counters are relatively open for a display face, and several glyphs show calligraphic modulation where strokes flare and narrow quickly. Numerals and capitals carry a prominent, glossy weight with thin connecting hairlines, giving the design a distinctly engraved, fashion-forward silhouette.

This font is well suited for magazine headlines, fashion or lifestyle branding, premium packaging, and poster-level typography where high contrast and italic movement can take center stage. It can also work for short pull quotes or titling, especially when spacing and line length are tuned to avoid texture becoming too busy.

The overall tone is luxurious and editorial, pairing elegance with a slightly theatrical bite. It feels suited to high-end contexts where contrast and slant add momentum—dramatic without becoming ornamental, and refined rather than playful.

The design appears intended to deliver a modern high-contrast serif voice in an italic display style, emphasizing elegance through razor-thin hairlines and confident, weighty verticals. Its slightly expanded proportions and energetic terminals suggest a focus on impactful titles and brand statements rather than long-form reading.

The thin strokes get extremely light in places, so the design reads best when given enough size and contrast against the background. The italic angle and sharp joins produce a dynamic texture in lines of text, while the capitals feel especially assertive and headline-driven.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸