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Free for Commercial Use

Sans Normal Jemug 5 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'Resolve Sans' by Fenotype, 'Otoiwo Grotesk' by Pepper Type, 'RF Dewi' by Russian Fonts, and 'Mynor' and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, display logos, sporty, dynamic, assertive, retro tech, energetic, impact, speed, attention, brand presence, display emphasis, slanted, chunky, rounded, compact apertures, fast.


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A heavy, right-slanted sans with broad proportions and smooth, rounded geometry. Strokes are thick and mostly uniform, with gently curved joins and corners that read as softened rather than sharp. Counters tend to be compact and apertures relatively narrow, giving the shapes a dense, punchy color in text. The lowercase shows single‑storey forms (notably a and g) and a simple, sturdy construction, while numerals are wide and strongly weighted for headline impact.

This font performs best in display contexts where bold presence and motion are desired—headlines, posters, product packaging, and promotional graphics. It also suits sports and performance branding, apparel graphics, and large-scale signage where its wide, slanted forms can carry energy and recognition. For longer passages, it’s better used sparingly or at generous sizes due to its dense counters and strong visual weight.

The overall tone is fast and forward-leaning, projecting confidence and momentum. Its wide stance and dense stroke weight lend an extroverted, “built for speed” feel that fits sporty and performance-driven branding. The rounded construction keeps it approachable rather than aggressive, balancing power with friendliness.

The design appears intended to deliver high-impact display typography with a sense of speed and modernity. By combining wide proportions, a strong slant, and rounded sans construction, it aims for immediate attention and a confident, action-oriented voice in branding and promotional settings.

The italic angle is pronounced enough to create a clear directional rhythm across lines, and the letterforms maintain consistent mass, helping the style read as cohesive at large sizes. The wide set and tight internal spaces make it visually loud, favoring impact over delicate detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸