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Serif Flared Nyfe 5 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Delvona' by Great Studio, 'Boita' by Inhouse Type, 'Ltt Recoleta' by Latinotype, 'Ysobel' by Monotype, 'Antonia' by Typejockeys, and 'Evans' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, book covers, magazines, branding, editorial, classic, authoritative, dramatic, formal, display impact, editorial authority, classic revival, sculptural contrast, bracketed, sculpted, calligraphic, tapered, ball terminals.


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A very heavy, high-contrast serif with sculpted, flaring terminals and strongly bracketed joins. Strokes swell and pinch in a calligraphic manner, with pronounced thick–thin transitions and tapered curves that give counters a teardrop-like feel in places. The serifs are sharp and wedge-like rather than slabby, and many lowercase forms show rounded, ball-like terminals and dynamic ear/arm shapes. Overall spacing is sturdy and open for the weight, with compact, forceful silhouettes that read as display-oriented.

Best suited to headlines and short-to-medium display text where its strong contrast and flared terminals can be appreciated. It works well for magazine features, book and album covers, and brand marks that need a traditional yet assertive tone. In dense body copy, the heavy strokes and dramatic modulation are likely to feel overpowering, so larger sizes and generous leading are preferable.

The font projects a classic, editorial voice with a dramatic, inked presence. Its flared endings and bold contrast add a sense of ceremony and authority, evoking traditional print typography while feeling punchy and attention-getting in modern layouts.

The design appears intended to modernize a traditional serif voice by amplifying weight and contrast and emphasizing flared, sculptural terminals. The goal seems to be a confident display serif that delivers classic credibility while adding bold, contemporary impact.

Uppercase forms lean toward monumental proportions with strong vertical emphasis, while the lowercase introduces more movement through curled terminals and lively curves. Numerals are equally weighty and sculpted, maintaining the same contrast and flared finishing for consistent texture across mixed content.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸