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Sans Other Obma 9 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Hyper Fatos' by Bisou, 'Leco 1976' by CarnokyType, 'Manufaktur' by Great Scott, 'Futurik' by Grontype, and 'Informational Sign JNL' by Jeff Levine (names referenced only for comparison).

Keywords: headlines, posters, logos, game ui, packaging, blocky, industrial, techno, game-like, futuristic, impact, tech aesthetic, display clarity, modular geometry, square, angular, stencil-like, compact, high-contrast countershy.


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A heavy, square-built display sans with rigid, rectilinear construction and mostly right-angled terminals. Forms are assembled from thick, uniform strokes with frequent cut-ins and notches that create geometric counters (often small square apertures) and a slightly stencil-like rhythm. Curves are minimized in favor of chamfered or stepped diagonals, producing a pixel/arcade-adjacent texture while remaining clean and consistent across uppercase, lowercase, and figures.

Best suited for short, high-impact settings such as headlines, posters, branding marks, game titles/UI labels, and packaging or product callouts where a strong geometric voice is desired. It performs especially well at medium-to-large sizes where the carved apertures and stepped diagonals remain clear.

The font reads bold and assertive with a mechanical, techno-forward attitude. Its angular silhouettes and carved countershapes evoke arcade graphics, sci‑fi interfaces, and industrial labeling, giving text a punchy, attention-grabbing presence.

The design appears intended to deliver maximum visual impact through a modular, squared construction that references digital and industrial aesthetics. The consistent stroke weight and deliberate cut-ins suggest a display face engineered for bold identity work rather than extended reading.

Lowercase echoes the uppercase’s block logic, keeping distinctions via simplified ascenders/descenders and squared dots on i/j. Numerals follow the same modular geometry, with enclosed shapes rendered as compact, squared counters that stay legible at larger sizes. Overall spacing and dark color create a dense typographic wall in continuous text, emphasizing impact over long-form comfort.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸