Sans Superellipse Usme 2 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Miura' by DSType, 'Core Sans N' by S-Core, 'Nuber Next' by The Northern Block, 'Obvia Expanded' by Typefolio, and 'JP Alva Expanded' by jpFonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, signage, confident, modern, friendly, punchy, playful, impact, approachability, modernity, logo use, clarity, rounded, blocky, geometric, compact, soft corners.
A heavy, rounded sans with squared-off curves and superellipse-like bowls that read as rounded rectangles rather than true circles. Strokes are uniform and dense, with broad shoulders, blunt terminals, and tight interior counters that keep the texture compact at display sizes. The uppercase is wide and stable with simple, geometric construction; the lowercase follows suit with single-storey forms (notably a and g) and minimal modulation. Numerals are similarly chunky and open, with a squared 0 and simplified shapes designed for impact.
This typeface is strongest in headlines, posters, and large-format messaging where its compact counters and chunky geometry read clearly. It also suits branding and packaging that call for a sturdy, contemporary voice, plus signage and UI moments that need high-impact labels or short bursts of text.
The overall tone is bold and approachable, combining a modern, tech-forward geometry with softened corners that reduce harshness. It feels energetic and assertive without becoming aggressive, making it well-suited to attention-grabbing messaging that still wants a friendly edge.
The design appears intended to deliver maximum presence with a smooth, geometric character—pairing wide proportions and uniform strokes with rounded-rectangle forms to keep the look contemporary and approachable. It prioritizes bold legibility and a consistent, logo-friendly silhouette over delicate detail.
Round joins and softened corners are consistent across the set, creating a cohesive, rubber-stamp-like solidity. Apertures tend to be on the tighter side, and the heavy weight makes spacing and counters a key part of the rhythm, especially in multi-line settings.