Sans Superellipse Usdo 2 is a very bold, very wide, low contrast, upright, tall x-height font visually similar to 'Miura' by DSType, 'Graphico' and 'Graphico Devanagari' by Indian Type Foundry, 'Taz' by LucasFonts, 'Core Sans N' and 'Core Sans NR' by S-Core, 'Boxley' by Shinntype, and 'Obvia Expanded' by Typefolio (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, techy, bold, friendly, industrial, sporty, impact, modern branding, geometric consistency, signage clarity, industrial tone, squared-round, blocky, geometric, compact apertures, large counters.
A heavy, geometric sans with rounded-rectangle (superellipse) construction and consistently softened corners. Strokes are monolinear with minimal modulation, producing dense, even color and strong silhouette clarity. Proportions are broad and sturdy, with short joins and compact apertures that keep forms tight; counters remain large enough to stay open at display sizes. Lowercase shows a tall body and simplified, engineered shapes, while figures follow the same squared-round logic for a cohesive, signage-like rhythm.
Best suited to attention-grabbing display work where weight and width can do the talking: headlines, posters, brand marks, packaging, and wayfinding. It can work for short UI labels or category headers when a strong, modern blocky voice is desired, but its dense shapes and tight apertures favor larger sizes over long reading.
The overall tone feels modern and assertive, mixing a utilitarian, engineered presence with approachable rounded edges. It reads as confident and contemporary—more “equipment label” than “editorial,” with an upbeat, sporty energy.
The design appears intended to deliver a strong, contemporary sans built from rounded-rectangle geometry—prioritizing impact, consistency across letters and numerals, and a clear, industrial-leaning personality for branding and display settings.
Round characters like O, Q, and 0 lean toward squarish ovals rather than true circles, reinforcing the superelliptic theme. Terminals are predominantly blunt and squared-off, and spacing appears designed to keep blocks of text compact and punchy in headlines.