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Free for Commercial Use

Sans Normal Osbup 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Corelia' by Hurufatfont, 'Frygia' by Stawix, 'Palo' by TypeUnion, and 'Nu Sans' by Typecalism Foundryline (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, confident, modern, friendly, punchy, clean, impact, clarity, approachability, modernity, rounded, chunky, geometric, compact, sturdy.


Free for commercial use
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A heavy, rounded sans with large counters, smooth curves, and minimal stroke modulation. The letterforms lean toward geometric construction, with broad, even stems and softly squared terminals that keep edges crisp while avoiding sharpness. Curves on characters like C, G, O, and S are full and stable, while diagonals (A, K, V, W, X) are thick and steady, giving a compact, blocky rhythm. Lowercase shapes are simple and robust, with single-storey a and g, short ascenders/descenders, and generous spacing inside bowls for clarity at bold sizes. Numerals are wide and highly legible, with rounded forms and strong vertical emphasis where applicable.

Best suited for headlines, display typography, posters, and bold brand moments where maximum impact and quick readability matter. It also works well for signage and packaging that need a sturdy, approachable voice, and for short UI labels or buttons when set with adequate spacing.

The overall tone is assertive and contemporary, with a friendly softness from its rounded geometry. It feels practical and energetic rather than elegant, projecting clarity and confidence for attention-grabbing text.

The design appears intended to deliver a strong, modern sans presence with rounded, geometric forms that remain highly legible at large sizes. Its emphasis on broad strokes and open counters suggests a focus on clarity and punch for display-driven communication.

In text, the heavy weight produces a strong typographic color and a tight, cohesive texture. Round letters maintain consistent curvature and counters, while straight-sided characters (E, F, H, I, L, T) provide firm structure that balances the softer bowls. The design reads best when allowed breathing room, as the density can dominate at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸