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Free for Commercial Use

Sans Superellipse Ibdim 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Siro' by Dharma Type, 'Epoca Pro' by Hoftype, 'Bega' by Indian Type Foundry, 'Famiar' by Mans Greback, and 'Prelo Pro' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, bold, friendly, retro, playful, punchy, impact, approachability, brand voice, display clarity, retro modernity, rounded, soft corners, blocky, geometric, compact.


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A heavy, rounded sans with compact proportions and softly squared curves that read like superellipse-based shapes. Strokes are consistently thick with minimal modulation, and terminals are broadly rounded or gently flattened, producing a sturdy, cushiony silhouette. Counters are relatively small for the weight, with open, simple constructions that keep forms legible at display sizes. Overall spacing and rhythm feel tight and purposeful, emphasizing mass and impact over delicacy.

This font is well suited for headlines, logos, packaging, and short bursts of copy where a strong, friendly presence is needed. It works especially well in posters, signage, and UI banner-style elements where impact and quick recognition matter more than long-form reading comfort.

The tone is confident and approachable, combining a utilitarian boldness with a soft, friendly warmth. Its chunky geometry and rounded corners add a slightly retro, sign-paint and packaging flavor, while staying clean enough for contemporary branding. The result feels energetic and playful without becoming whimsical.

The design appears intended to deliver maximum impact with a softened geometric character—combining bold, compact letterforms with rounded, superellipse-like curves for a contemporary-yet-retro display voice. It prioritizes a consistent, solid texture and approachable shapes that hold up in prominent brand and editorial applications.

The lowercase shows a straightforward, single-storey feel in key shapes and maintains a consistent, blocky roundness across the set. Numerals match the same robust geometry, with large interior shapes where possible and clear differentiation at a glance. In paragraphs, the dense color and tight counters create a strong typographic voice best suited to larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸