Sans Superellipse Omgeh 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'FS Dillon' by Fontsmith, 'Neusa Neu' by Inhouse Type, 'Florest Display' by Kaligra.co, 'Plexes Pro' by Monotype, 'Nulato' by Stefan Stoychev, 'Intropol' by The Northern Block, and 'Obvia Narrow' by Typefolio (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, ui titles, modern, techy, friendly, sturdy, clean, impact, clarity, modernity, geometric character, brandability, rounded, geometric, compact, blocky, high-contrast (shape).
A heavy, geometric sans built from rounded-rectangle and superelliptic curves, with uniform stroke weight and softly blunted corners throughout. Counters are compact and fairly closed, giving the letters a dense, punchy color while maintaining clear internal shapes in forms like C, O, and e. Terminals are predominantly horizontal or vertical, with minimal modulation and a consistent squared-off logic that carries into diagonals on A, V, W, and X. The numerals follow the same rounded, robust construction, reading crisp and stable at display sizes.
Well-suited for headlines, short statements, packaging, and branding marks where a strong, compact silhouette is an advantage. It also works effectively for interface titles, navigation labels, and signage that benefit from rounded geometry and high visual impact.
The overall tone is contemporary and functional, pairing a confident, industrial solidity with approachable rounded geometry. It feels tech-forward and system-like, yet not sterile, thanks to the softened corners and compact, friendly curves.
The design appears intended to deliver a modern, robust sans with a distinctive rounded-rectangular personality—combining strong legibility and consistent geometry for contemporary display and branding contexts.
Round letters lean toward squarish bowls, creating a distinctive superelliptic rhythm that keeps word shapes tight and cohesive. The bold massing suggests best performance where strong presence and quick recognition are needed rather than delicate typographic nuance.