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Wacky Okjy 6 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'AG Royal' by Berthold; 'Aspira', 'Innova', 'Neutro', and 'Seconda Soft' by Durotype; 'Averta Standard PE' by Intelligent Design; 'Avenir Next Georgian' by Linotype; and 'Mundial Narrow' by TipoType (names referenced only for comparison).

Keywords: posters, packaging, album art, event flyers, headlines, grunge, playful, handmade, quirky, rough, tactile texture, hand-stamped feel, diy character, attention grabbing, distressed, blotchy, stamped, chunky, irregular.


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A chunky, heavy sans with simplified forms and an intentionally irregular, distressed edge. Strokes are thick and fairly even, but the outlines wobble and break with blotchy erosion that creates small voids and nicks throughout the counters and along the outer contour. Terminals are generally blunt and rounded-off, giving the letters a soft blockiness despite the rough texture. Spacing and widths feel loosely tuned, reinforcing an uneven, hand-applied rhythm across both caps and lowercase.

This font works best in short, high-impact settings where its distressed texture can read clearly—posters, event flyers, packaging callouts, album/cover art, and bold section headers. At larger sizes it delivers a strong stamped character; at smaller sizes the erosion and breaks can reduce clarity, so it’s better reserved for display use than long passages.

The overall tone is mischievous and DIY, with a gritty, imperfect surface that reads like ink laid down through a worn stencil or a battered rubber stamp. It feels casual and energetic rather than refined, leaning into messiness for personality and attitude.

The design appears intended to deliver a one-off, expressive display voice that mimics imperfect printing—prioritizing tactile texture, irregularity, and punchy shapes over clean precision. It’s built to add instant grit and playfulness to otherwise simple letterforms.

Texture is a core feature of the design: interior speckling and edge chipping are consistent enough to feel deliberate, but varied enough to keep a lively, unpredictable pattern from glyph to glyph. The numerals follow the same rugged treatment, maintaining a cohesive look across alphanumerics.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸