Sans Superellipse Firiz 4 is a very bold, very wide, low contrast, italic, normal x-height font visually similar to 'TT Autonomous' by TypeType (names referenced only for comparison).
Keywords: sports branding, headlines, posters, esports, product branding, sporty, techno, aggressive, dynamic, futuristic, speed emphasis, impact display, modern geometry, brand presence, industrial tone, slanted, expanded, rounded, compact counters, high impact.
A heavy, forward-slanted sans with expanded proportions and rounded-rectangle (superelliptical) construction throughout. Strokes are uniform and dense, with corners softened into broad radii and terminals often cut on an angle, creating a fast, aerodynamic profile. Counters are compact and squarish—most evident in O/0 and D—while interior apertures in letters like C, S, and e are tightened, boosting weight and impact. The overall rhythm is clean and consistent, leaning on geometric curves and clipped joins rather than calligraphic modulation.
Best suited to high-impact display work such as sports and motorsport graphics, esports identities, posters, packaging, and bold marketing headlines where energy and immediacy are desired. It can also work for tech or industrial-themed branding and interface headers, especially when set with generous tracking and ample size to keep the tight counters from closing in.
The font communicates speed and force: a sporty, mechanical tone that feels engineered and performance-oriented. Its slant and sharp truncations add urgency, while the rounded geometry keeps the voice modern rather than harsh. Overall it reads as futuristic, assertive, and headline-first.
The design appears intended to deliver a fast, engineered look by combining a strong italic slant with rounded-rectangular geometry and angled terminals. The goal seems to be maximum impact and a cohesive, modern silhouette that remains consistent across letters and numerals while emphasizing motion and strength.
Uppercase forms appear particularly stable and blocky, with a cohesive superellipse logic across bowls and corners; the numerals echo the same squared-round skeleton. The italic angle is pronounced enough to read as motion, especially in the wider letters and the strongly sloped diagonal shapes. At smaller sizes, the tight counters and heavy fills may reduce clarity, while larger sizes preserve the crisp geometry and distinctive cuts.