Sans Superellipse Kehy 3 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'FX Neofara' by Differentialtype, 'Etrusco Now' by Italiantype, 'Behover' by Martype co, 'Galantic' by RantauType, 'Oscar Bravo' by Studio K, 'Address Sans Pro' by Sudtipos, and 'Headlines' by TypeThis!Studio (names referenced only for comparison).
Keywords: sports branding, headlines, posters, packaging, app ui labels, sporty, urgent, industrial, retro, impact, speed, compactness, modernity, condensed, slanted, blocky, rounded corners, ink-trap hints.
A condensed, heavily slanted sans with compact proportions and a strong, continuous stroke presence. Curves are built from rounded-rectangle geometry, giving counters and bowls a squared-off, superelliptical feel, while joins stay blunt and decisive. Terminals are mostly cut on angles, and several glyphs show small notches and scoops at tight joins that read like subtle ink-trap shaping. The overall rhythm is tight and forward-leaning, with sturdy numerals and simplified, high-impact forms that hold together well in solid black.
Best suited to short, high-impact settings such as sports identities, event posters, action-oriented headlines, packaging callouts, and compact UI labels where a forward-leaning, engineered look adds energy. It can also work for numbers-heavy display needs like uniforms, scoreboards, or promotional pricing where bold, condensed figures are desirable.
The tone is fast, tough, and performance-driven—closer to racing graphics and athletic branding than neutral text typography. Its aggressive slant and dense, compact silhouettes add urgency and momentum, while the rounded-rectangle construction keeps it contemporary and engineered rather than handwritten.
The design appears intended to deliver maximum impact in a tight width while conveying speed and strength. Its superelliptical construction and angled cuts suggest an aim for a modern, industrial voice that stays legible and consistent across letters and numerals in display-driven contexts.
The italic angle is a primary stylistic feature, reinforced by consistently angled terminals and a compressed stance across both caps and lowercase. Counters remain relatively open for such dense forms, and the digit set matches the same chunky, streamlined vocabulary, supporting cohesive use in scorelines or product codes.