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Sans Other Nyny 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Archimoto V01' and 'Nue Archimoto' by Owl king project (names referenced only for comparison).

Keywords: headlines, posters, logotypes, game ui, packaging, industrial, techno, arcade, brutalist, aggressive, impact, tech styling, modularity, signage, retro digital, angular, blocky, square, geometric, stencil-like.


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A heavy, modular sans built from squared-off strokes and sharply cut corners. The outlines favor straight segments with frequent chamfers and notch-like cut-ins, producing a pixel-meets-stencil construction. Counters are compact and often rectangular, and joins are abrupt, creating a dense, poster-like texture with a slightly mechanical rhythm. Uppercase forms appear more uniform and monolithic, while lowercase introduces more idiosyncratic shapes and simplified bowls that keep the overall look rigid and block-constructed.

Best suited to short, high-impact settings such as headlines, title cards, posters, logotypes, and game/UI graphics where the angular structure can read as a stylistic asset. It can also work for bold labels or packaging callouts, especially in technology, hardware, or sci‑fi themed contexts, but is less ideal for long-form text due to its dense, notched detailing.

The font projects a hard-edged, engineered tone reminiscent of arcade cabinets, sci‑fi interfaces, and industrial labeling. Its assertive geometry and notched detailing add a confrontational, high-impact voice that feels futuristic and utilitarian rather than friendly or editorial.

The design appears intended to translate a rigid, grid-based construction into a contemporary display sans, emphasizing strong silhouette recognition and an industrial/tech flavor. The consistent chamfers and cut-outs suggest a deliberate attempt to evoke machined parts, stenciling, or retro-digital lettering while maintaining a cohesive, high-ink presence.

Spacing and proportions read as intentionally constructed rather than optically softened, which amplifies the techno feel but can make long passages feel busy. Numerals and capitals have strong sign-like presence, while some lowercase shapes lean toward display styling over conventional text familiarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸