Sans Other Obva 11 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Retrofunk' by Hendra Pratama, 'Evanston Tavern' by Kimmy Design, 'LHF Advertisers Square' by Letterhead Fonts, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, game ui, logos, packaging, industrial, techno, game-like, aggressive, utilitarian, impact, futurism, machined look, modular geometry, high visibility, octagonal, angular, squared, stenciled, notched.
A heavy, geometric sans built from blocky, rectilinear forms with prominent chamfers and hard corners. Strokes are uniform and dense, with counters often reduced to small, squared openings, creating a compact, high-contrast silhouette against the background despite the monoline construction. Many joins and terminals show deliberate notches and stepped cuts, giving the letters a machined, modular feel. Overall spacing reads sturdy and somewhat tight, and the numerals follow the same octagonal, cut-corner construction for a consistent set.
Best suited for short, high-impact settings such as headlines, title cards, posters, game interfaces, esports or tech branding, and packaging where a rugged, engineered voice is desired. It will read most clearly when given generous size and breathing room rather than in long, small text.
The font projects a tough, mechanical tone—part arcade, part industrial labeling. Its sharp facets and reduced counters feel forceful and energetic, suggesting technology, armor plating, and engineered surfaces rather than softness or neutrality.
The design appears intended to deliver a bold, industrial-tech impression through strict rectilinear geometry and consistent cut-corner detailing. By minimizing curves and using notched terminals, it aims for a futuristic, fabricated look that remains highly graphic and attention-grabbing.
The sample text shows strong word-shape presence at display sizes, but the small apertures and compact interior spaces can make longer passages feel dense. The design’s repeated chamfer motif unifies uppercase, lowercase, and figures into a single, assertive texture.