Sans Superellipse Otmal 6 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Nulato' by Stefan Stoychev, 'Radley' by Variatype, and 'Manifest' by Yasin Yalcin (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, branding, industrial, authoritative, modern, utilitarian, sporty, impact, clarity, modernization, space efficiency, robustness, compact, blocky, rounded corners, sturdy, high impact.
A heavy, compact sans with rounded-rectangle geometry and strongly uniform stroke weight. Curves resolve into broad superelliptical bowls and softened corners rather than true circles, giving counters a squared-off feel. Terminals are blunt and clean, joins are tight, and diagonals (as in A, V, W, Y) are steep and solid, producing a dense, poster-like texture. The lowercase is simple and sturdy, with single-storey a and g, a short-armed r, and generous, squared counters that stay open even at smaller sizes.
This face is well suited to headlines and short text where maximum impact and quick recognition are important—posters, signage, packaging callouts, and bold branding lines. It also works effectively for UI labels or dashboards where a strong, compact sans can improve scannability, especially when set with ample line spacing.
The overall tone is forceful and practical, with an industrial confidence that reads quickly and unmistakably. Its rounded corners soften the voice just enough to feel contemporary and approachable rather than harsh, landing in a modern, sporty register suited to attention-grabbing messaging.
The design appears aimed at delivering a contemporary, high-impact sans that stays friendly through rounded-rectangle construction while maintaining strict, low-contrast solidity. Its simplified lowercase and squared counters suggest an emphasis on legibility and reproducible shapes across print and screen contexts.
Spacing appears deliberately compact, reinforcing a condensed, impact-oriented rhythm in headlines. Numerals follow the same squared-round logic, with sturdy shapes that prioritize clarity over elegance, and the Q’s straightforward tail treatment keeps the set pragmatic and signage-friendly.