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Free for Commercial Use

Sans Superellipse Eskas 14 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Linear Grotesk' by Designova, 'Binoma' by Eko Bimantara, 'Bari Sans' by JCFonts, 'RF Dewi' by Russian Fonts, 'Nuber' by The Northern Block, and 'Peter' by Vibrant Types (names referenced only for comparison).

Keywords: ui labels, wayfinding, branding, packaging, posters, modern, clean, technical, efficient, approachable, clarity, modernization, softened geometry, forward motion, system consistency, rounded corners, soft terminals, geometric, oblique, uniform strokes.


Free for commercial use
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This font is an oblique sans with a geometric, superelliptical construction: round letters read as rounded-rectangle bowls rather than perfect circles, and corners stay consistently softened. Strokes are largely uniform with minimal contrast, producing an even color in text. Uppercase forms are wide and steady, while lowercase shows compact, functional shapes with single-storey a and g, a clean earless r, and a descender on q. Terminals are mostly blunt or softly curved, and the numerals follow the same rounded, monoline logic with open counters and clear silhouettes.

It works well where a modern italic/oblique accent is needed—interface labels, dashboards, and product surfaces benefit from its clean, rounded geometry. The steady stroke and broad, simple forms also suit branding, packaging, and headline typography where an energetic but controlled voice is desirable.

The overall tone is contemporary and utilitarian, with a friendly edge created by the rounded geometry and soft corners. The forward slant adds momentum and a slightly sporty, engineered feel without becoming casual or handwritten.

The font appears designed to deliver a contemporary oblique sans optimized for clarity and consistency, using superelliptical rounding to soften a technical, geometric skeleton. Its uniform stroke behavior and straightforward glyph shapes suggest an emphasis on dependable readability and a cohesive system aesthetic.

The design maintains a consistent slant and rhythm across caps, lowercase, and figures, giving it a cohesive, system-like presence. Letterforms favor clarity over ornament, with open apertures and straightforward joins that keep shapes distinct at display and text sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸