Sans Superellipse Arnok 1 is a very light, very wide, low contrast, upright, normal x-height font.
Keywords: ui labels, tech branding, signage, headlines, posters, futuristic, technical, minimal, clean, sleek, systematic geometry, digital tone, modern display, clean readability, monoline, rounded, geometric, modular, open counters.
A monoline geometric sans built from straight strokes and rounded-rectangle curves, with corners consistently softened into superelliptic bends. Proportions are notably expanded horizontally, and the internal spaces follow the same squared-off rounding, producing open counters and a crisp, modular rhythm. Terminals are largely flat and horizontal/vertical, while diagonals are used sparingly and kept clean, giving the design a structured, engineered feel. The lowercase echoes the same rounded-rect construction and maintains a steady baseline and cap-line behavior, with a simple, uncluttered figure set that matches the squared rounding of the letters.
Well-suited to interface labels, dashboards, and product surfaces where a sleek, modern voice is desired. The expanded shapes and modular construction also make it effective for short headlines, tech-forward branding, and directional or environmental signage where a futuristic aesthetic is an asset.
The overall tone is futuristic and technical, with a controlled, minimalist demeanor. Its rounded-rect geometry reads as modern and digital, balancing precision with a friendly softness from the consistent corner rounding.
The font appears designed to translate rounded-rectangle geometry into a practical text alphabet, prioritizing a consistent construction system and a contemporary, digital look. Its wide stance and softened corners suggest an intention to feel both engineered and approachable in modern display contexts.
The design language is highly systematic: curves tend to resolve into rectangular arcs rather than circles, and many glyphs emphasize horizontal spans and open apertures. This creates a distinctive silhouette in both all-caps and mixed-case settings, where the wide stance and squared curves become the main identifying features.