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Free for Commercial Use

Sans Normal Tynaj 6 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'Ocean Sans' by Monotype and 'Indecise' by Tipo Pèpel (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, retro, headline, impact, approachability, retro display, brand voice, soft-cornered, round, sturdy, bouncy, compact counters.


Free for commercial use
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This typeface has heavy, simplified letterforms with rounded, softened corners and broad, even strokes that keep the silhouette strong. Curves are generous and circular in letters like C, O, and G, while straight-sided forms (E, F, H, N) remain sturdy and blocky without feeling rigid. Counters are relatively tight and apertures are somewhat closed, contributing to a dense, punchy texture. Terminals tend to be blunt and slightly softened, and the overall rhythm favors stable, upright shapes with a lightly playful bounce in curves and diagonals.

It performs best in display contexts such as headlines, posters, and signage where its dense weight and rounded geometry can deliver impact. The friendly sturdiness also suits branding and packaging, especially for products or identities that want a warm, retro-leaning voice. In longer passages it will create a strong, dark typographic color, making it most effective when paired with ample spacing and generous leading.

The overall tone reads bold and approachable, with a mild retro flavor reminiscent of mid-century display typography. It feels confident and attention-getting without becoming aggressive, balancing friendliness with weighty presence. The rounded geometry gives it an inviting, slightly informal character well suited to expressive branding.

The design appears intended to provide a high-impact, approachable display voice built from simple, rounded forms and minimal detailing. Its compact counters and blunt terminals prioritize clear silhouettes and strong presence, suggesting use in attention-first typography rather than delicate, text-centric settings.

The uppercase has a strong poster-like presence, while the lowercase maintains the same chunky construction and compact internal space, keeping text color dark and consistent. Numerals follow the same robust, rounded construction and appear designed to hold up at large sizes where their simple silhouettes can be read quickly.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸