Sans Other Gisi 9 is a very bold, wide, medium contrast, upright, tall x-height font.
Keywords: posters, headlines, branding, sports, packaging, industrial, retro, aggressive, techno, posterish, impact, display, signage, futurism, ruggedness, blocky, angular, stencil-like, squared, compressed counters.
A heavy, block-constructed sans with squared silhouettes and sharply chamfered corners. The strokes are predominantly straight with minimal curvature, producing a rigid, mechanical geometry. Counters and apertures are small and often rectangular, while notches and cut-ins create a subtly stencil-like, fragmented feel across many forms. Proportions favor broad bodies with a tall x-height, and the overall rhythm is compact and dense, prioritizing mass and impact over delicate detail.
Best suited for large-scale display applications such as posters, title treatments, and bold branding where its angular construction can be appreciated. It can also work for sports or event graphics, product packaging, and punchy UI headings, especially when a rugged, techno-industrial look is desired. For longer text, larger sizes and generous spacing will help maintain clarity.
The tone is forceful and industrial, with a retro-tech and arcade/poster energy. Its hard angles and tight counters give it a confrontational, action-oriented voice that reads as futuristic, utilitarian, and slightly militaristic. The consistent block logic also evokes signage and game UI aesthetics where bold clarity is the primary goal.
The design appears intended to deliver maximum visual impact through dense, blocky forms and engineered angles, creating a distinct, attention-grabbing display voice. The stencil-like cut details and squared counters suggest an aim toward industrial signage and retro-futurist styling rather than neutral, text-first readability.
Diagonal joins appear as crisp wedges rather than smooth curves, and several glyphs use internal cuts that add texture when set in all caps or dense headlines. The small, squared counters can close up at smaller sizes, so the design reads best when given enough scale and breathing room.