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Sans Superellipse Rumah 2 is a regular weight, normal width, high contrast, upright, normal x-height font.

Keywords: ui labels, signage, packaging, posters, headlines, techno, industrial, retro, utilitarian, precise, systemlike clarity, technical branding, industrial tone, geometric consistency, rounded corners, squared curves, condensed feel, crisp terminals, geometric.


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A tall, geometric sans with superelliptical construction: curves resolve into rounded-rectangle bowls and counters, and most corners are softly radiused rather than fully circular. Strokes feel crisp with clean, largely monolinear joins, while the overall silhouette is slightly narrow and vertically oriented. Round letters (O, Q, 0) read as squared ovals, and many terminals end in flat, straight cuts that reinforce a machined look. The lowercase mixes open, simplified forms with single‑storey shapes, and the numerals follow the same rounded-rect geometry for consistent rhythm in text and UI-like strings.

Well suited to interface labels, dashboards, and product typography where clean geometry and quick character recognition matter. It can also work effectively for headlines, posters, and packaging that want a technical or industrial voice, and for wayfinding or labeling systems that benefit from consistent, squared-round forms.

The tone is technical and systemlike, with a subtle retro-futurist flavor reminiscent of instrumentation, labeling, and early digital interfaces. Its disciplined geometry and squared curves project precision, control, and a no-nonsense attitude while remaining approachable due to the softened corners.

The design appears intended to translate the logic of rounded rectangles into a coherent alphabet, creating a modern, engineered sans that reads clearly while delivering a distinctive techno-industrial personality. The softened corners temper the rigidity, aiming for a balance between strict geometry and everyday usability.

Distinctive identification cues include the rounded-rectangle ‘O/0’ family, a compact, squared ‘S’, and generally tight interior spaces that keep lines of text looking tidy and engineered. The sample text shows an even texture and steady vertical cadence, making the design feel structured rather than expressive or calligraphic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸