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Free for Commercial Use

Sans Superellipse Ondet 15 is a bold, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Noplato' by Drizy Font, 'Perfume' by Fenotype, 'Antiquel' by Lemonthe, and 'Hardley Brush' by Negara Studio (names referenced only for comparison).

Keywords: posters, signage, packaging, labels, interfaces, industrial, utilitarian, technical, retro, assertive, impact, clarity, systematic, grid fit, labeling, blocky, condensed feel, square-shouldered, rounded corners, sturdy.


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A heavy, monoline sans with squared, superellipse-like curves and softened corners that keep the forms compact and blocky. Strokes stay consistent throughout, with broad verticals and short horizontal terminals that create a steady, mechanical rhythm. Counters are tight but clear (notably in C, G, e, and a), and round characters read as rounded rectangles rather than true circles. Numerals follow the same compact geometry, producing a uniform, grid-friendly texture.

Well-suited for short, high-contrast settings such as posters, headlines, signage, packaging, and product labels where a dense, sturdy texture is desirable. It can also serve interface and dashboard typography when a technical, grid-aligned look is preferred, especially at medium to large sizes.

The tone is practical and workmanlike, with a faint retro-industrial flavor reminiscent of labeling systems and equipment typography. Its rigid geometry and consistent spacing feel disciplined and no-nonsense, while the rounded corners add a touch of approachability without becoming playful.

The design appears intended to deliver a strong, uniform voice with engineered geometry: compact letterforms, consistent stroke behavior, and rounded-rectangle curves that read clearly in structured layouts. It aims for functional clarity and punch over delicacy, emphasizing repeatable shapes and a dependable rhythm.

The overall fit is tight, so text blocks appear dense and high-impact. Distinctive shapes—such as the compact bowls and the squared-off curves in S and 2—reinforce a controlled, engineered aesthetic that remains consistent across capitals, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸