Sans Superellipse Oglul 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Jawbreak' by BoxTube Labs, 'Posey' by Graphicfresh, 'Chamferwood JNL' by Jeff Levine, 'Block Capitals' by K-Type, 'Neue Northwest' by Kaligra.co, 'Radley' by Variatype, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, industrial, techy, playful, retro, high impact, geometric clarity, approachable boldness, modern display, blocky, rounded, compact, geometric, chunky.
A heavy, geometric sans built from rounded-rectangle (superellipse) forms, with thick monoline strokes and softened corners throughout. Counters tend to be squared-off and compact, creating a dense, punchy texture; the uppercase shows broad, boxy silhouettes (notably in O, Q, D) while maintaining consistent corner radii. Lowercase follows the same construction with sturdy verticals and simplified joins, and the numerals are similarly rectangular and tightly spaced in feel, emphasizing solid fills and clear interior cutouts.
Best suited to display settings where weight and shape can do the talking—headlines, posters, branding marks, packaging, and bold signage. It can also work for short UI labels or game/tech-themed graphics where compact, high-impact letterforms are desirable, while extended reading is less ideal due to the dense counters and strong visual texture.
The overall tone is bold and confident with a friendly edge, combining a utilitarian, industrial sturdiness with a slightly toy-like softness from the rounded corners. It reads as contemporary and tech-leaning, while also nodding to retro arcade and display lettering through its squared geometry and compact counters.
The font appears designed to deliver maximum impact with a simple, consistent geometry: rounded-rectangle construction, minimal modulation, and compact internal space for a sturdy, modern look. The softened corners suggest an intent to keep the heaviness approachable and contemporary rather than harsh.
The design’s rhythm comes from repeated vertical stems and rectangular bowls, giving lines a strong, even “bar” pattern at text sizes. Sharp diagonals (as in V, W, X, Y) contrast with the otherwise rounded-rectilinear construction, adding energy without breaking the cohesive geometric system.