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Free for Commercial Use

Sans Normal Ladoz 5 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Humanist 777' by Bitstream; 'Frutiger', 'Frutiger Next Paneuropean', 'Neue Frutiger', 'Neue Frutiger Cyrillic', 'Neue Frutiger Hebrew', 'Neue Frutiger Paneuropean', and 'Neue Frutiger Vietnamese' by Linotype; 'Neue Frutiger World' by Monotype; and 'FreeSet' by ParaType (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, display signage, sporty, energetic, assertive, modern, friendly, grab attention, add motion, modernize tone, brand impact, oblique, rounded, chunky, soft corners, high impact.


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This typeface is a heavy, oblique sans with broad proportions and generously rounded curves. Strokes stay consistently thick with minimal modulation, producing solid counters and a compact, blocky silhouette. The forms lean forward with a steady slant, combining wide bowls and open apertures with tight internal spaces typical of very heavy weights. Terminals are clean and blunt, and the overall rhythm is uniform and sturdy, with a straightforward, contemporary construction across caps, lowercase, and figures.

Best suited to display roles where impact matters: headlines, posters, sports and lifestyle branding, packaging, and bold signage. The combination of wide forms and strong weight supports short phrases and calls-to-action, especially when a modern, energetic tone is desired.

The overall tone is bold and kinetic, with a forward-leaning stance that reads as active and confident. Its rounded geometry keeps the voice approachable rather than severe, making it feel contemporary, sporty, and attention-driven.

The design appears intended as an impactful display sans that pairs a forward-leaning stance with rounded, geometric construction. Its goal is to deliver strong emphasis quickly while keeping a friendly, contemporary feel.

In the sample text, the heavy weight and oblique angle create strong headline presence, while the wide shapes help maintain recognition at larger sizes. The numerals appear robust and geometric, matching the letterforms’ rounded, compact counters and consistent stroke thickness.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸