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Sans Other Lobud 6 is a regular weight, wide, low contrast, upright, normal x-height font.

Keywords: headlines, branding, posters, tech ui, signage, techno, industrial, futuristic, utilitarian, mechanical, sci-fi styling, industrial labeling, distinctive texture, geometric clarity, rounded corners, stencil cuts, modular, squared, monoline.


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A monoline, rounded-rectangle sans built from squared curves and straight segments, with corners consistently softened into radiused turns. Many glyphs incorporate deliberate breaks and notches—stencil-like cut-ins that interrupt bowls and joins—creating an engineered, segmented construction. Forms feel wide-set with generous interior counters, and curves are often flattened into squarish arcs (notably in C, G, O, and numerals). The lowercase is clean and compact with single-storey shapes (a, g) and a squared, open ‘e’, while capitals lean geometric and blocky with strong horizontal terminals and minimal modulation.

Best suited to display typography: headlines, brand marks, posters, product packaging, and tech-themed UI moments where a constructed, interface-like voice is desired. It can work for short text and labels, but the stencil cuts and angular rhythm are most effective when set larger and with comfortable spacing.

The overall tone is technical and futuristic, evoking industrial labeling, sci‑fi interfaces, and fabricated signage. The cut-through details add a sense of circuitry and mechanical assembly, making the font feel purposeful and system-like rather than friendly or literary.

The design appears intended to deliver a geometric sans with a custom, engineered twist—using rounded-square construction and stencil-like interruptions to differentiate it from standard grotesks. The goal seems to be a contemporary, high-tech aesthetic that remains clean and systematic while adding character through modular detailing.

The segmented detailing is applied fairly consistently across the set and becomes more pronounced in round letters and some numerals, where small gaps and inset corners create a distinctive rhythm. In text, the strong geometry and occasional internal breaks can reduce smooth reading flow, but they also provide a recognizable texture at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸