Stencil Vebu 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Racon' by Ahmet Altun, 'Geogrotesque Sharp' and 'Geogrotesque Stencil' by Emtype Foundry, 'Navine' by OneSevenPointFive, and 'Hype vol 2' by Positype (names referenced only for comparison).
Keywords: posters, branding, packaging, signage, headlines, industrial, utilitarian, technical, military, retro-futurist, stencil marking, industrial tone, technical clarity, display impact, monoline, geometric, square-ended, rounded corners, modular.
A monoline sans with a modular, geometric construction and consistent stroke thickness. The forms are built from straight verticals and diagonals with softened corners, producing a square-shouldered silhouette rather than fully round bowls. Clear stencil breaks appear throughout—most visibly on curves, counters, and joins—creating small bridges and interrupted strokes while keeping counters open and legible. Proportions lean slightly condensed in many glyphs, with tall ascenders/descenders and compact bowls, and numerals follow the same segmented, engineered logic.
Works well for short-to-medium headline settings where the stencil detailing can be appreciated, such as posters, product marks, packaging, and industrial-themed branding. It also suits signage and labeling in contexts that benefit from a fabricated or technical aesthetic, and can be used for display-sized UI or interfaces that aim for an engineered look.
The overall tone feels industrial and procedural, like lettering intended for equipment, labeling, or wayfinding. The stencil cuts add a rugged, fabricated character that reads as utilitarian and authoritative, with a subtle retro-technical flavor.
The design appears intended to merge a clean geometric sans foundation with unmistakable stencil bridges, delivering a robust display face that suggests manufacturing, marking, and technical identification while maintaining straightforward readability.
Diagonal letters show crisp, mechanical angles, and curved characters retain a squared-off geometry that pairs well with the stencil segmentation. The rhythm is steady and uniform, with predictable spacing and a strong vertical emphasis that supports signage-like clarity.