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Free for Commercial Use

Sans Superellipse Radah 2 is a regular weight, very narrow, low contrast, upright, normal x-height font.

Keywords: posters, packaging, headlines, editorial display, branding, quirky, retro, playful, friendly, handmade, compact voice, friendly display, retro charm, humanized geometry, condensed, rounded, tall, soft corners, slightly irregular.


Free for commercial use
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A condensed sans with tall proportions, rounded-rectangle curves, and gently softened corners throughout. Strokes stay largely monolinear, with subtle, humanized irregularities in curvature and terminal shaping that keep the texture lively rather than mechanical. Counters are narrow and vertically oriented, and the overall rhythm is tight and upright, producing a compact, vertical color in text. Uppercase forms feel clean and columnar, while lowercase shapes show simple, single-storey constructions and slightly idiosyncratic details that reinforce a casual, hand-cut impression.

Best suited to display roles such as posters, packaging, menu headings, and brand marks where a narrow footprint is useful and personality is welcome. It can work for short editorial headlines or pull quotes, especially with slightly increased letterspacing. For longer passages, it will be most comfortable at larger sizes with ample spacing to avoid a cramped feel.

The font reads as upbeat and approachable, with a lightly eccentric, retro tone. Its narrow, tall stance adds energy and a bit of theatricality, while the rounded forms keep it warm and non-threatening. Overall it suggests informal display typography—cheerful, crafty, and a touch offbeat.

The design appears intended to deliver a compact, space-saving condensed voice with friendly rounded geometry and a humanized finish. It aims for legibility at display sizes while adding distinctive character through subtly uneven curves and terminal decisions.

Digit forms follow the same tall, condensed logic and remain clear at display sizes. In running text, the tight width and narrow apertures create a dense vertical texture, so generous tracking and leading can help preserve clarity. The design’s small irregularities are consistent enough to feel intentional, contributing character without turning into a novelty texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸