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Free for Commercial Use

Serif Flared Gabe 5 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Central Avenue' by Colophon Foundry, 'EF Franklin Gothic' by Elsner+Flake, 'EFCO Boldfrey' by Ilham Herry, 'Azbuka' by Monotype, and 'Franklin Gothic SH' by Scangraphic Digital Type Collection (names referenced only for comparison).

Keywords: headlines, posters, packaging, book covers, mastheads, confident, retro, editorial, traditional, punchy, display impact, classic authority, warm heaviness, vintage flavor, flared serifs, bracketed, ink-trap feel, rounded joins, soft corners.


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A very heavy serif with compact proportions and pronounced flared, bracketed stroke endings that give the forms a carved, inked look. Strokes are broadly even but show gentle modulation, with softened joins and subtle notches that read like ink-traps at tighter corners. Counters are relatively small for the weight, and the overall rhythm is sturdy and tightly packed, producing strong texture in words. Numerals and capitals feel robust and slightly condensed in their internal space, reinforcing a dense, poster-ready presence.

Well suited to short, high-impact settings such as headlines, mastheads, posters, and book-cover titling where a strong typographic color is desired. It can also work for packaging or branding that wants a traditional-but-punchy voice, especially when set with generous size and breathing room.

The tone is bold and assertive with a retro editorial flavor—classic and authoritative rather than delicate. Its dark color and flared terminals evoke old-style display typography, giving headlines a confident, slightly theatrical voice.

The design appears intended to deliver maximum presence with a classical serif vocabulary, using flared terminals and softened interior cuts to maintain clarity at heavy weight. Its shaping prioritizes headline character and memorable wordforms over low-contrast, text-first neutrality.

The lowercase shows a single-storey “a” and “g,” with round dots on “i/j” and a compact, heavy “t,” all contributing to a friendly but weighty reading line. In longer sample text, the dense spacing and small counters increase impact, suggesting best performance at larger sizes where the shaping details remain clear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸