Sans Superellipse Ragaj 7 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Dharma Gothic', 'Dharma Gothic Rounded', 'Dharma Slab', 'Rama Gothic', 'Rama Gothic Rounded', and 'Rama Slab' by Dharma Type (names referenced only for comparison).
Keywords: headlines, posters, logotypes, packaging, signage, industrial, authoritative, condensed, poster-ready, no-nonsense, space saving, high impact, modern branding, signage clarity, monolinear, rectilinear, rounded corners, compressed.
A heavy, tightly condensed sans with monolinear strokes and a strongly vertical stance. Counters and curves are built from rounded-rectangle geometry, producing squared-off bowls and smooth, softened corners rather than true circles. The overall rhythm is compact with short apertures and firm terminals, giving letters a dense, packed color in text. Lowercase forms are tall and narrow with minimal differentiation in width, while capitals are similarly compressed and consistent, creating a uniform, billboard-like texture.
Best suited to headlines and display settings where space is tight but impact is required, such as posters, event titles, packaging fronts, and wayfinding or storefront signage. It can also serve in wordmarks that benefit from a compressed silhouette and a strong, modern tone.
The font projects a bold, utilitarian voice with an industrial edge. Its compressed proportions and rigid verticality feel assertive and modern, leaning toward headline drama rather than casual friendliness. The rounded-rectangle construction adds a sleek, engineered character that reads as contemporary and controlled.
The design appears intended to maximize visual strength and economy of width, delivering a dense, attention-grabbing texture. Its rounded-rectangle shaping suggests a deliberate, engineered aesthetic aimed at contemporary branding and high-contrast display compositions.
In the sample text, long lines hold a solid, dark typographic bar with little sparkle, emphasizing impact over airiness. Numerals follow the same condensed, squared-curved construction, matching the alphabet’s sturdy, signage-like presence.