Sans Other Obby 3 is a very bold, narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, gaming ui, packaging, industrial, arcade, techno, retro, assertive, impact, modularity, futurism, signage, branding, blocky, angular, square, stencil-like, condensed.
A compact, block-built display sans with heavy rectangular forms, tight counters, and crisp right-angle turns. Strokes maintain an even thickness throughout, while many joins are notched or stepped, giving curves a faceted, pixel-adjacent geometry. Letterforms favor straight-sided bowls and squared terminals, with occasional chamfered corners and cut-in details that read almost stencil-like in the interior spaces. Spacing is economical and the overall rhythm is rigid and modular, producing a dense, high-impact texture in text.
Best suited for short, high-contrast applications such as headlines, titles, logos, and bold labeling where its angular construction can be a stylistic feature. It works well for gaming interfaces, tech-themed graphics, and poster typography, and can add a retro-industrial edge to packaging or editorial display. At smaller sizes or in long passages, the dense counters and stepped geometry may reduce comfort, so generous sizing and spacing help.
The font conveys a hard-edged, mechanical attitude with strong arcade and techno overtones. Its squared silhouettes and notched detailing feel utilitarian and slightly futuristic, like labeling on equipment or a game UI. The tone is bold and no-nonsense, prioritizing punch and graphic presence over softness or nuance.
The design appears intended to deliver a compact, high-impact display voice built from modular, rectilinear shapes. The notched and chamfered details suggest an aim to evoke industrial marking, digital-era styling, and arcade-era lettering while keeping the character set visually consistent and strongly branded.
Distinctive interior cutouts and stepped diagonals help maintain recognizability in letters that would otherwise be simple rectangles, especially in forms like A, B, R, and S. Numerals follow the same squared construction and read like signage digits, reinforcing the systemized, modular feel across the set.