Sans Other Abder 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Kelson' by Armasen, 'Akzidenz-Grotesk Next' by Berthold, 'European Sans Pro' by Bülent Yüksel, and 'Panton' by Fontfabric (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, playful, friendly, chunky, retro, attention grabbing, friendly tone, retro display, bold branding, soft corners, bulky, rounded, compact, bouncy.
A heavy, compact sans with soft, rounded outer corners and broadly squared internal geometry. Strokes are thick and even, with minimal modulation and a slightly bouncy, informal rhythm across the alphabet. Curves are generous and open (notably in C, G, O, and S), while joins and terminals tend to finish bluntly, giving the design a sturdy, cut-out look. Lowercase forms are simple and robust with single-storey a and g, a short-armed r, and a round, prominent i/j dot; figures are bold and wide with straightforward shapes that stay consistent in color.
Best suited to headlines, short statements, and display settings where bold presence and friendly character are desired—such as posters, packaging, storefront or event signage, and playful brand identities. It can work for brief blocks of text at larger sizes, especially when generous line spacing is used to prevent a crowded texture.
The overall tone is cheerful and approachable, with a retro, poster-like confidence. Its rounded massing and buoyant shapes feel friendly rather than technical, making it read as casual, upbeat, and attention-grabbing.
Likely designed as a high-impact display sans that prioritizes warmth and immediacy over neutrality. The softened corners and simplified, sturdy letterforms suggest an intention to feel approachable and retro-leaning while remaining highly legible at large sizes.
The design relies on consistent thickness and softened geometry to maintain a dense, high-impact texture in paragraphs and headlines. Counters remain reasonably open for such a heavy style, but the strong black coverage makes it feel best when given breathing room in layout.