Sans Superellipse Idmod 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Prenton RP' by BluHead Studio, 'Faculty' by Device, 'Allotrope' by Kostic, 'Fact' by ParaType, 'Sans Beam' by Stawix, and 'Ansage' by Sudtipos (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, signage, bold, friendly, compact, playful, confident, high impact, approachability, modern display, clarity, blocky, rounded, soft-cornered, heavy, sturdy.
A heavy, rounded sans with compact proportions and a distinctly squarish, superellipse construction in bowls and counters. Strokes are thick and even, with minimal contrast, and terminals are broadly cut with softened corners rather than sharp joins. Curves tend to resolve into rounded-rectangle geometry, giving letters a sturdy, blocky footprint. Spacing and sidebearings read generous for the weight, helping maintain legibility, while the overall rhythm stays punchy and dense in text.
Best suited for display contexts where weight and presence matter: headlines, posters, packaging, brand marks, and short bursts of text on signage or social graphics. It can work for subheads and callouts, especially when you want a bold, approachable voice rather than a sharp, technical feel.
The tone is assertive and high-impact but approachable, trading sharpness for soft, inflated forms. Its chunky geometry feels contemporary and informal, with a poster-like energy that suits attention-grabbing messaging. The overall impression is friendly strength—confident without looking aggressive.
This design appears intended to deliver maximum impact with a friendly, modern texture—using superellipse-like rounding and uniform stroke thickness to stay clear and cohesive at large sizes. The simplified shapes and sturdy counters suggest a focus on legibility and recognizability in bold, high-contrast layouts.
Round letters like O and C appear more squircle than circular, and diagonals (e.g., V, W, Y) keep broad, stable stems that emphasize mass over finesse. Numerals are similarly stout and simplified for clarity at large sizes.