Sans Superellipse Sinap 2 is a bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'Fairweather' by Dharma Type, 'Alternate Gothic Pro EF' by Elsner+Flake, 'Peridot Latin' and 'Peridot PE' by Foundry5, 'ITC Franklin' by ITC, and 'Dilemma' by Sudtipos (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, condensed, assertive, industrial, posterlike, contemporary, space saving, display impact, modern utility, compact branding, high impact, compact, crisp, utilitarian, tall.
A compact, tightly set condensed sans with tall proportions and a strong vertical rhythm. Strokes are heavy and fairly consistent, with subtle contrast appearing mainly where curves turn into straights. Curves are built from rounded-rectangle geometry, producing oval counters and smoothly squared shoulders; terminals are clean and mostly flat, with occasional softened joins. Spacing is economical and the narrow apertures and small counters intensify the dark, continuous texture in text.
Best suited to display settings where space is limited but impact is needed—headlines, posters, bold branding lockups, packaging panels, and signage. It also works well for short UI labels or navigation where a narrow footprint is beneficial, while extended body copy may require generous size and leading to maintain clarity.
The tone is direct and commanding, with a compressed, no-nonsense presence that reads as modern and industrial. Its dense color and rigid verticality evoke headline urgency—confident, slightly severe, and attention-seeking without decorative flourishes.
The design appears intended to deliver maximum presence in a narrow width, combining clean sans construction with superelliptical rounding for a controlled, contemporary silhouette. The emphasis is on strong legibility at display sizes, compact set width, and a consistent, high-impact typographic color.
Uppercase forms are especially tall and columnar, and the numerals share the same condensed stance for strong typographic alignment in listings. At larger sizes the superelliptical rounding becomes more evident, while at smaller sizes the compact counters and tight fit can make long passages feel visually heavy.